San Diego Institute of Technology

SDIT Research · The Gallery · Taste

How is taste formed, and what does technology have to do with it?

A fellowship research project into aesthetic formation — and what it looks like to design an environment for long, unhurried attention to one beautiful thing at a time.

Taste is formed by what you look at — and how long you look at it.

The largest, best screen in the house spends most of its life dissolving attention in the service of a recommendation engine. The Gallery asks what happens when it does the opposite.

The question The Gallery investigates is whether the environment in which you encounter art changes what you take from it. A painting in a feed — surrounded by thumbnails, surrounded by a progress bar — delivers something very different from the same painting on a dark wall, spotlit, beside music from the moment it was made. A fellowship researcher at SDIT holds that these are not equivalent experiences, and that one of them forms something in the viewer that the other cannot.

That forming — the slow accumulation of aesthetic judgment through long exposure to excellent things — is what the Institute means by taste. And the research proposition is that the home environment in which we encounter art can be redesigned to support it, rather than undermine it.

One spotlit work at a time.

The Gallery is an Apple TV app — built to test whether consumer technology can be redesigned for the kind of attention that forms rather than dissolves.

Four exhibitions, each curated. Music from the era of the work. A placard with the full curatorial story — who made it, what world it was made in, and why this music hangs beside it. Pause, linger, go back. There is no autoplay rabbit hole and nothing to binge. It is a room, not a feed.

The App About The Gallery → · Swift & SwiftUI for tvOS · MIT License · github.com/sandiegotech/Gallery
Status In testing · Not yet on the App Store · TestFlight invites by request — write to test it

In the age of AI, taste becomes a primary human capacity.

AI can generate aesthetic output at extraordinary scale. It cannot form the taste that evaluates it.

The capacity to look at something — a painting, a product, an argument, a building — and know, from a formed interior sense, whether it is good: this is not a decoration on human intelligence. It is one of its core functions. And it is formed only by long practice of sustained attention to excellent things — art, music, and history encountered as one subject, not three.

The Institute holds that how we spend the hours of leisure is not separate from what we become. The Gallery is a fellowship research project because the question it investigates touches the center of what SDIT is for: the formation of the whole person. Taste is not a luxury. It is a form of judgment — and the age of AI will need better judgment, not less of it.

We do not separate the study of the world from the love of it. This is what that looks like in the living room.